You originally studied interior design and architecture, but eventually switched to illustration. What led you to make that leap?

When I studied and worked in the field of architecture, I gave myself time to start enjoying it. I experienced different settings, worked in small studios, independently, and on both private and public interiors. But something very important was missing – I wasn’t happy, nor did I truly enjoy my work. The strict norms, rigid rules and chaotic planning just weren’t for me. When I illustrate, I’m exactly where I’m meant to be, doing what I love.

Book Covers for “A Series of Unfortunate Events” by Lemony Snicket

Do those architectural and interior design skills show up in your illustration process or style?

The short answer is no. I studied art from a very early age, so I’d rather say that my art background influenced my architectural style and taste. However, I do have a beautiful art studio and I’ve always believed that interiors and our surroundings have a powerful impact on us.

Congratulations on the new book, The Ritual of Light! On your site you introduces Mugo as “a very special and shy little bat” who has a secret mission to keep everyone safe. How did you come up with the idea for Mugo, and what messages do you hope readers get from his story?

Thank you so much! The idea for the character, Mugo, came to me a few years ago. I wanted a character that would represent mysticism and wasn’t your ‘typical’ hero. Bats aren’t usually among the most beloved creatures. Mugo is the heart of the first book and the series. ‘The Ritual of Light’ is entirely dedicated to his story and journey. He will also play an important role in the upcoming chapters.

Beyond a captivating magical story, I wanted to portray a small, humble character who is gentle yet brave. There are so many values that go underappreciated and I wanted Mugo to embody some of them. It’s a story about responsibility, asking for help, not being afraid to stand up for what’s right, and persevering through every challenge, failing and getting up. Apart from it, I wanted to embrace the common fears such as darkness, ghosts, graveyards and make them into an atmospheric setting.

I love that “The Ritual of Light” is drawn entirely in the dark, with very limited colors. Why did you choose that monochrome approach, and how did it affect your creative process?

Monochrome isn’t a typical choice for illustrating picture books and it’s quite rare to see in bookstores. For me, it was an important artistic decision that I was very determined to pursue. The story is told from Mugo’s perspective, taking place at night while he’s on his mission. I usually work in full color, with the entire palette at my disposal, but this time I limited myself to shades of gray, black, and purple to create the atmosphere and the settings and I truly enjoyed the process.

The other books in the series will each have their own distinctive personalities. The second one, for instance, will be bright and colorful.

I hear book two in the series will be quite different, set in a colorful forest. Without giving too much away, what can readers look forward to in the next chapter of Mugo’s journey?

Yes, the second one is created in full colors, set in a forest with a new character in the center of the story. I won’t reveal much as still some minor things might change in the process, but so far it’s coming along pretty great. I can reveal that there are other books in the series planned, with the third one happening underwater! All of the stories will be connected, and for those of you who already fell in love with Mugo, don’t worry as he’ll be present in all of them.

You founded the #OurPlanetWeek illustration movement to raise environmental awareness. What inspired you to start that, and how do you see the role of artists in helping the planet?

It all started a few years back, trying to raise awareness about the bushfires in Australia and the Amazon deforestation. That’s how an idea of using art collectively to express environmental concerns in a peaceful, constructive and beautiful way came to be. It gives opportunities for illustrators to embrace the creative prompts and express their support and love for the environment and nature. A big plus of the event is that I’ve heard from many artists that Our Planet Week allowed them to get discovered by new clients, create amazing portfolio pieces and progress in their artistic journey. We also managed to plant over 10K trees thanks to the initiative! Now, in 2026 we’ll be hosting the 7th edition already, filled with artistic voices from all over the world.

Looking back on your journey, what advice would you give to other illustrators who want to create their own worlds and stories?

My advice is always the same for anyone – just start. Whatever you want to do artistically, there’s nothing better than just to start. It seems so simple, but we tend to wait for the perfect moment, and find excuses for ourselves, there;s always a reason to postpone, and taking the first step is the most important moment. For sure there will be setbacks, it will take time and effort (and a bit of luck in most cases), but starting is the first big barrier to overcome. Once you do, things will naturally begin to unravel.